Rush “Hemispheres” (1978)

Hemispheres is the culmination of all that Rush had been striving for since Neil Peart ascended to the drum stool back on Fly By Night. The side-long title track is a winding conceptual piece that one-ups 2112 in it's uniformity and metaphorical marriage of paperback fantasy with egghead philosophy. A continuation of A Farewell To Kings' "Cygnus X-1" (on tour Rush would play both pieces together, forming one 30-minute monstrosity), "Hemispheres" tells a convoluted tale of the "battle of heart and mind" that dabbles in Greek mythology and Nietzsche-inspired psychology, set to an ever-unfolding barrage of head-spinning riffs. But it's side two of Hemispheres that ensures it's classic status, with the brief, but hard-hitting and lyrically direct "Circumstances," ably leading things off. "The Trees," an almost Brothers Grimm styled allegorical tale of the pitfalls of collectivism, quickly became a Rush standard, as did the multi-part instrumental "La Villa Strangiato." Subtitled with a wink, "An Exercise in Self-Indulgence," the showcase is a tour-de-force of prog-rock muscle that probably inspired half of the kids who heard it to hone their musical chops, while the other half headed straight for the record store's newly-added punk bin. But in it's own way, Hemispheres is as uncompromising a statement as any, and with it Rush carved a permanent niche as leaders of their own pencil-necked revolution. –Ben