Tuesday, October 12, 2010

Mike Oldfield “Tubular” Bells (1973)

It's difficult to asess the importance of "Tubular Bells" and indeed the career of Mike Oldfield without reference to two important figures who contributed to the success of the album, Richard Branson and William Friedkin. The 19 year old Oldfield had used valuable studio time funded by Branson, to record his debut, then titled "Opus 1". Oldfield then hawked this work around the major record companies to complete rejection, and Branson, who at that time ran a mail order company, decided to form his own record company (Virgin), and release this (retitled "Tubular Bells") as the inaugural record. William Friedkin was at this time Directing the ground breaking horror flick "The Exorcist", and having heard "Tubular Bells" decided to use the opening eerie tinkling piano intro, decided to use it as the title music for the movie. And so, the die was cast and the album would go on to sell sixteen million copies worldwide, win Oldfield a Grammy award, and develop a new genre of music. It's difficult to review "Tubular Bells" as a straight Popular, Classical or Rock recording. It contains all of these genres and more, classically structured, it's a complex, startlingly unique, and undoubtedly valiant recording. At times the sound is beautifully symphonic, at other times hauntingly powerful. Oldfield uses over thirty different musical instruments and probably just as many percussive instruments, to create a plethora of differing interludes, some gentle, some sonically robust, all linked together by intricate tempo changes perfectly exemplified about twelve minutes into side one where a delicately intricate section is cleverly interrupted by rifferama guitar crash chords which fade into the next musical excursion. The album finishes with a traditional English folk tune which perfectly concludes a divinely satisfying album. Some Oldfield fans argue that "Hergest Ridge" and "Ommadawn" are better musical performances, but I stoutly defend "Tubular Bells" because of its bravery, complexity and utter originality. "Tubular Bells" remains a colossal achievement. –Ben H

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